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GigRent CEO’s Jordan Goodfellow’s top 3 favorite shows

Jordan Goodfellow • January 7, 2020

Can you imagine being on tour with Nine Inch Nails for six months? We can’t either, but one of our own had this experience and was able to provide audio visual support to one of the top bands in the world and of this time. Jordan Goodfellow, GigRent’s CEO and Technical Composer, and his team have provided audio visual support to a number of different events and we recently asked to recount his top three favorite shows.

Nine Inch Nails Tour
“One of the best and coolest shows I’ve been a part of was actually back in 2008 when I was on tour with Nine Inch Nails for five or six months. The stuff that they came up with for that show still astounds me to this day. It was cutting edge at that point in time and doing just so many things with motion tracking and light tracking and everything that they did on stage with the movement and the motion of the show and the way that the entire show was really crafted to be a full flow together was fantastic.”

Hans Zimmer at the New Skin Global Meeting
“One of the other great shows that I loved was in 2017. We did the global meeting for New Skin and I had the privilege of being one of the technical directors on that show. Mark Herring brought me into that show because he felt that my ability to solve problems and think on my feet and work hard to ensure that we were able to get the job done was imperative to what he needed to get done for that show. It was a massive show. It was an arena event, 15,000 people in an arena.

The last night we had Hans Zimmer perform with his full orchestra and they took all of the different movies that Hans has written scores for and with an 80 foot led wall behind them, lights coming all the way out in the crowd, covering the entire floor, just lit the whole thing up for about 15,000 people. And he performed an incredible bit of music from every single movie he’s done from Superman and from Jurassic Park and from Pirates of the Caribbean and from the Lion King and the list goes on.”

US Foods – Orange County Convention Center
“As for the third one, we did a show back in 2015 for US foods at the Orange County Convention Center and we did a scenic that was mostly projection. It was about 230 feet wide of projection. It was approximately 130 feet on either side, if I remember correctly, but we were creating an experience for about 5,000 US foods employees. And the reason that that one sticks out in my mind is because it was the first time that I had been the lead technical director on a job of that size of scope in the corporate world. You know, I’ve production-managed multiple stadium events and arena shows and all that sort of stuff. And so for me, from a technical standpoint, we did some really cool stuff and made some really great pictures happen. We incorporated pyrotechnics, projection, blending, high resolution switching, great playback and great speakers and content.

We brought in a drone at that show and they were showcasing some technology that US Foods was working on at the time to try and use drones to be able to pinpoint locational data and then utilize that for delivery and things of that nature. And so there was a lot of really cool stuff in there.”

By Jordan Goodfellow March 13, 2026
Make the wrong choice, and you risk tying up capital, limiting flexibility, or missing revenue opportunities. Make the right one, and you create a scalable, cost-efficient foundation for long-term growth. This guide breaks down the key factors that determine when renting makes sense—and when ownership is the smarter move. When Renting AV Equipment Is the Better Choice 1. Your needs change frequently If your projects vary in size or technical requirements, renting keeps you flexible and open-minded to all solutions. Owning gear can cause a few issues to surface. Bias towards certain equipment, only selling what you own, and thinking that other gear is inferior. This can lead to a few downsides. · Under-utilized inventory that doesn’t move as often. · Storage and maintenance costs that come with owning gear. · Obsolete technology that you are trying to squeak the last bit of life from. · Trying to shoehorn a show into a piece of gear that is not · High transport costs Renting allows you to scale up or down depending on the event without long-term commitment to any one type or brand of equipment. 2. Technology is constantly evolving and doing so quickly In areas like Computers, LED, media servers, and video processing, equipment generations change fast. Buying too early can mean: · Rapid depreciation · Compatibility limitations · Pressure to reinvest sooner than expected Buying too late can mean: · Equipment ages out before it’s paid off. · May not function well or be compatible with the newest gear · Less customers are interested in the Equipment. Renting shifts that risk away from you and ensures access to current, show-ready technology. 3. You need equipment only occasionally If gear is used only a few times per year, ownership rarely makes financial sense. Using an Item less than 6 - 8x per year can cost you big. Consider the following when you only use items for part of the year: · Purchase cost · Maintenance and repairs · Insurance · Storage · Labor for testing and prep If utilization is low, rental is almost always more cost-effective. 4. Cash flow matters more than ownership Growing companies often benefit from preserving capital for a multitude of business needs and projects including the following: · Hiring · Marketing · Expansion · New services Renting converts a large upfront expense into a predictable project cost, improving cash flow and reducing financial risk. When Buying AV Equipment Makes More Sense 1. The gear is used constantly High-utilization items are the strongest candidates for ownership and decrease your dependency on others. Examples often include: · Cables and hard infrastructure · Uncommon rigging or staging elements · Frequently deployed audio or LED and projection systems · Monitors and other items with a low entry cost. If equipment is booked week after week, purchasing can quickly outperform rental costs. 2. You need control and immediate availability Ownership provides benefits when the gear is always on hand, this includes: · Guaranteed access · Faster prep and QC · Consistent equipment and kits across all shows For production and AV companies running simultaneous or last-minute events, this reliability can be critical. 3. The equipment supports a core service line If a specific system defines your primary offering or competitive advantage, owning it may be a strategic advantage rather than purely a financial benefit. Ownership can: · Strengthen your brand positioning · Improve event and company margins over time · Enable faster and more immediate deployment This is especially true for companies specializing in recurring event formats or temporary installations. 4. Long-term ROI is clear A simple rule of thumb: If the total rental cost over 12–24 months exceeds the purchase and Maintenance price, ownership deserves serious consideration. At that point, buying may: · Reduce long-term expenses · Increase profitability per show · Create resale or B-stock value later T he Hybrid Strategy: What Most Successful AV Companies Do In practice, the smartest approach is rarely all rent or all buy. High-performing AV companies typically use a hybrid model: Own: · High-use consistent and stable technology that is always in use. · Core infrastructure parts and pieces – i.e. Power, consoles, etc. · Revenue creating systems. These are systems that make your company unique. Rent: · Rapidly evolving technology · Specialty or large-format equipment i.e Displays, LED, high dollar projectors. · Short-term or one-off needs that are specific to one or two events. This balance delivers flexibility, financial efficiency, and scalability—without overextending capital. Key Questions to Ask Before Deciding Before your next equipment decision, ask: · How often will this be used each month? · How quickly will the technology change? · Does ownership improve our margins or just add overhead? · Could renting keep us more flexible for future opportunities? · What is the true total cost of ownership over time? Clear answers to these questions usually reveal the right path. Final Thoughts Choosing between renting and buying AV equipment isn’t just a purchasing decision—it’s a strategy decision that affects cash flow, scalability, and long-term growth. · Renting delivers flexibility, access to new technology, lower upfront risk, but possibly lower margins. · Buying creates control, long-term ROI, and stronger margins for high-use gear. The most successful teams evaluate each piece of equipment through the lens of utilization, technology lifecycle, and financial impact—then build a balanced approach that supports both today’s events and tomorrow’s expansion.
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