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Projection mapping is cheap

Jordan Goodfellow • February 8, 2021

Projection mapping is considerably more cost effective than traditional alternatives. You can use an existing building or object as a surface for projection, rather than revamping a building at the structural level or constructing a new artifice. Mapping saves time, money, and energy by concentrating labor in a few choice individuals who can get the job done efficiently.

For example, you can quickly convert a building downtown into street art by using projection instead of painting the whole structure. You can use projection to display restaurant menus that can be adjusted easily for daily specials. Properly mapping your house for Christmas can be more cost effective and energy efficient than the usual string of lights. Even your local theater could use an overhaul: mapping can save you the time, supplies, and effort involved in painting multiple different sets.

With all of that said, most of the time when people look at a projection mapping budget, they don’t understand the gravity of what they are looking at and the time required to execute it. Many people think that you can shine a projector at a building with some video and call that projection mapping. However, nothing could be further from the truth. The building has to be mapped and a pre-render of the actual surface needs to be produced before you can even begin to create the content that will be projected.

The process of projection mapping involves identifying its purpose and intention and then planning for its content. Having the right people to write, build, and execute your content is the essential piece to successful projection mapping. As we mentioned in our last blog post , content matters. The substance of the show is far more important than the resolution. There are times when a lower resolution device might be the best tool for a job based on the object that you are mapping. Depending on which building you’re using, you might need to go old school in order to maximize your light output onto the surface. You need professionals on your team who can make these calls.

The idea of mapping takes into account the unique features of the building or object in question and makes them a key component of the performance. Instead of overlaying the same image across all of it and treating the building as a flat surface, content creators seek to understand and enhance the building’s character. The creators see all aspects as assets rather than obstacles. Their mantra is: if you can’t fix it, feature it.
An excellent example of execution of both content and planning is the celebration of the Apollo 11 mission at the Washington Monument. Our friends at DWP in Nashville executed their specific purpose and intent on a grand scale to create a magnificent experience. We loved watching their successful use of projection mapping and took notes for future mapping opportunities of our own.

To put it plainly, projection mapping does cost money if you’re going to do it right . When you craft an experience for people, you have to understand that creating that experience requires the expertise of professionals. It is never “cheap” to use professionals, but the result will repay your investment with interest. Hire people who don’t just throw light.

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By Jordan Goodfellow March 13, 2026
Make the wrong choice, and you risk tying up capital, limiting flexibility, or missing revenue opportunities. Make the right one, and you create a scalable, cost-efficient foundation for long-term growth. This guide breaks down the key factors that determine when renting makes sense—and when ownership is the smarter move. When Renting AV Equipment Is the Better Choice 1. Your needs change frequently If your projects vary in size or technical requirements, renting keeps you flexible and open-minded to all solutions. Owning gear can cause a few issues to surface. Bias towards certain equipment, only selling what you own, and thinking that other gear is inferior. This can lead to a few downsides. · Under-utilized inventory that doesn’t move as often. · Storage and maintenance costs that come with owning gear. · Obsolete technology that you are trying to squeak the last bit of life from. · Trying to shoehorn a show into a piece of gear that is not · High transport costs Renting allows you to scale up or down depending on the event without long-term commitment to any one type or brand of equipment. 2. Technology is constantly evolving and doing so quickly In areas like Computers, LED, media servers, and video processing, equipment generations change fast. Buying too early can mean: · Rapid depreciation · Compatibility limitations · Pressure to reinvest sooner than expected Buying too late can mean: · Equipment ages out before it’s paid off. · May not function well or be compatible with the newest gear · Less customers are interested in the Equipment. Renting shifts that risk away from you and ensures access to current, show-ready technology. 3. You need equipment only occasionally If gear is used only a few times per year, ownership rarely makes financial sense. Using an Item less than 6 - 8x per year can cost you big. Consider the following when you only use items for part of the year: · Purchase cost · Maintenance and repairs · Insurance · Storage · Labor for testing and prep If utilization is low, rental is almost always more cost-effective. 4. Cash flow matters more than ownership Growing companies often benefit from preserving capital for a multitude of business needs and projects including the following: · Hiring · Marketing · Expansion · New services Renting converts a large upfront expense into a predictable project cost, improving cash flow and reducing financial risk. When Buying AV Equipment Makes More Sense 1. The gear is used constantly High-utilization items are the strongest candidates for ownership and decrease your dependency on others. Examples often include: · Cables and hard infrastructure · Uncommon rigging or staging elements · Frequently deployed audio or LED and projection systems · Monitors and other items with a low entry cost. If equipment is booked week after week, purchasing can quickly outperform rental costs. 2. You need control and immediate availability Ownership provides benefits when the gear is always on hand, this includes: · Guaranteed access · Faster prep and QC · Consistent equipment and kits across all shows For production and AV companies running simultaneous or last-minute events, this reliability can be critical. 3. The equipment supports a core service line If a specific system defines your primary offering or competitive advantage, owning it may be a strategic advantage rather than purely a financial benefit. Ownership can: · Strengthen your brand positioning · Improve event and company margins over time · Enable faster and more immediate deployment This is especially true for companies specializing in recurring event formats or temporary installations. 4. Long-term ROI is clear A simple rule of thumb: If the total rental cost over 12–24 months exceeds the purchase and Maintenance price, ownership deserves serious consideration. At that point, buying may: · Reduce long-term expenses · Increase profitability per show · Create resale or B-stock value later T he Hybrid Strategy: What Most Successful AV Companies Do In practice, the smartest approach is rarely all rent or all buy. High-performing AV companies typically use a hybrid model: Own: · High-use consistent and stable technology that is always in use. · Core infrastructure parts and pieces – i.e. Power, consoles, etc. · Revenue creating systems. These are systems that make your company unique. Rent: · Rapidly evolving technology · Specialty or large-format equipment i.e Displays, LED, high dollar projectors. · Short-term or one-off needs that are specific to one or two events. This balance delivers flexibility, financial efficiency, and scalability—without overextending capital. Key Questions to Ask Before Deciding Before your next equipment decision, ask: · How often will this be used each month? · How quickly will the technology change? · Does ownership improve our margins or just add overhead? · Could renting keep us more flexible for future opportunities? · What is the true total cost of ownership over time? Clear answers to these questions usually reveal the right path. Final Thoughts Choosing between renting and buying AV equipment isn’t just a purchasing decision—it’s a strategy decision that affects cash flow, scalability, and long-term growth. · Renting delivers flexibility, access to new technology, lower upfront risk, but possibly lower margins. · Buying creates control, long-term ROI, and stronger margins for high-use gear. The most successful teams evaluate each piece of equipment through the lens of utilization, technology lifecycle, and financial impact—then build a balanced approach that supports both today’s events and tomorrow’s expansion.
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